The study shows that we tend to get more excited by unfamiliar beauty than beautiful pictures of well-known subjects. Original artwork can surprise and delight us because it activates a part of the brain that is specifically linked to novelty.Īccording to a 2006 study led by neurobiologists Bunzeck and Düzel, a central part of the brain called substantia nigra/ventral tegmental area responds heavily to novel stimuli. Venture to places where others haven’t been, or show subjects that other photographers have not. A great online tool that you can use is OpenTopoMap. Topographical maps help me when I’m entering unfamiliar territory. Preferably a spot with some elevation differences, a water feature or a small woodland. Look for a spot that’s interesting geographically. Originality is often closer than you think. Oftentimes I wonder how the greatest photographers among us keep coming up with interesting subjects and compositions within fine art photography. Show the development of a storm, a change of seasons, the same landscape with or without snow or what a forest fire has done to your local woodland. Once you get the hang of those, you could try your hand at telling a story through multiple landscape photographs.
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Add some negative exposure compensation in your camera’s Aperture Priority mode or shorten the shutter speed in Manual mode.Ĭreating darker images makes the viewer tap into darker emotions as well.Īnother great tool for putting emotion in your fine art landscape photography is color. If you feel gloomy or sad, you could help the image by making it a bit darker. The goal of fine art landscape photography is to have an idea of what your images will look like in the end.Īsk yourself questions like: “What do I want to show in this image” and “How does this composition make me feel?” Then, dial in the camera settings that will add to your answers. We tend to look at our images after we shoot them and adjust accordingly. In the digital age, pre-visualisation is very under-appreciated.
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Apart from a vague, reverse image on the ground glass, this is the only way to know how your image will look with film photography. Galen Rowell was one of the proponents of pre-visualising an image before pressing the shutter. It is important to note that creating art is a cognitive process. Therefore, your vision as an artist is fundamental to creating original photos. It’s about the connection between you as a photographer and the landscape you’re in. Guy Tal summarises fine art brilliantly by saying that your photos should be about things, not of things.įine art landscape photography is the way you document the land.
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Instead of specific instructions on how to achieve a certain look, these 10 tips will show you how to be a better artist through fine art photography. In this article, I invite you to embrace photography as a form of art. I simply love to see new and interesting photography with a personal flair. Teaching you what fine art landscape photography is and how you can take better pictures with that knowledge is important to me.